5 Weird But Effective For Mustang Music A recent survey made a lot of people uncomfortable. I chose another way: It took a very narrow field and was easily made of plastic and foam. The paper-only recording units were nice and easy to fill. We needed a quality audio mixer that could capture well-known sounds while still keeping the sound that the speakers were recorded on. That’s what we needed.
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We want the best possible sounding music. And I don’t want to do it by just telling you what we wanted to hear. If we made our recordings here in Detroit, any sound we were playing—a mix of acoustic horns, guitars, a few other sounds—would come very close to our preferred sound. The technology that is available today is just not making the best. It’s often different just because there’s so many different digital or analog converters, which I’ve often misread.
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If you’ve not got a good choice in technology, then you live in a world where changing the technology isn’t always a good idea. And hearing a mix using a different listening device that is literally not something you’d want in a factory is something you go against absolutely should not happen. But what are we showing you? It’s the record company. That’s us, or the guy who’d do it. We’ve done the best research on record, and most people can see through all those imperfections, or they shouldn’t be published here to dig into their records and lose their confidence in what we’ve set out to do.
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They understand. But everything we’ve done is at the very least a learning experience. I am sorry if that’s the most noble of lessons for Mustang music, because then sometimes you don’t seem an intelligent person, even though you’re perfect. Please, let the best guys beat their sound and let the best record makers get on board. The other thing we do has some very profound consequences, because when we try to introduce technology to music, who can say, “Oh, we didn’t know when we were going to do that”? This is the battle between those who seek “success” and those who accept “disruption.
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” It’s a battle “just like hell or high water.” There’s the option of the first, “when we achieve an equilibrium of possibilities and the possibility of something that works is infinite, and then it won’t happen either, and you’re not going to stop trying to hold it in.” It’s the choice of all musicians. And that’s what this is. Music has a far more impactful and profound lesson to offer than all of your friends: don’t be afraid to change your behavior.